Variety is important in paragraph and sentence length. If you have a lot of long meandering paragraphs or sentences, they may have unnecessary clauses and phrases that diminish the impact of your writing.
Patricia La Barbera’s article at Savvy Authors provides pointers and examples.
When even the editors who want high concept stories can’t define it (“I know it when I see it”) how are you supposed to know what they want? Writer’s Digest takes a crack at defining the qualities these stories should have: http://www.writersdigest.com/online-editor/write-better-the-7-qualities-of-high-concept-stories?et_mid=706082&rid=238566470
I admit I hesitated scheduling my Beaufort, NC book signing/fundraiser on Saturday, Sept. 13. An introvert by nature, I grew more nervous as the date drew closer, but it turned out to be a lucky day and I had fun chatting with fellow animal lovers.
Instead of reading, I felt more comfortable simply telling an excerpt from whichever book people were most interested in. That encouraged an exchange as they then told me their stories. I sold out of both Chicken Soup for the Soul books I brought, The Cat Did What? and My Dog’s Life, sold out. Dogs outsold cats 2:1 and I took orders for more. I will continue to donate all proceeds from my sales of My Dog’s Life to the local Humane Society shelter.
I held the event in my town’s new pet store, and they gained some new customers as a result. Everybody won!
Plot, pacing, dialog, voice, and sentence structure are just a few of the aspects of craft we writers are supposed to be aware of. Not bad advice, overall, especially when submitting to an editor or publishing house, but readers may have different priorities.
In the July issue of The Writer, Jack Hamman’s article about his Men Only book club says that members spend little, if any, time on those things. They concentrate on the story or subject. Was it compelling? Did it challenge their beliefs? Could they relate to it?
Something to think about, especially for self-publishers. I’m not suggesting that you throw anything together and self-publish it. Story is still the number one priority. If the subject fails to grab a reader or an editor, they will not keep reading.
Just finished reading The Wind Is Not a River by Brian Payton. It’s a book that will stay with me.
A journalist and a young American soldier survive a WWII plane crash and end up on an Aleutian island occupied by the Japanese and with few resources. No one knows they are there. The stronger part of the story is about what these two do to survive. Everything felt real and believable to me. Less strong is that of the journalist’s wife who decides to leave Seattle and try to find her husband. She certainly has less to contend with than her husband, but the main thing is the author does not get inside her head as completely as he does with the two men. I cannot imagine anyone predicting how this book ends.
I knew nothing about the war in the Aleutians before reading this book so that was a bonus. The history is woven into the plot well so it never feels like a lesson. Unlike some other historical fiction, this book does not distort. It is a fictional story placed in time.
Two scenes disturbed me: what happens to the American soldier and what happens to one of the Japanese. Disturbing = not sure I wanted that to happen plus makes me think about what I would have done in that situation. Not a bad thing – makes the book stick with me after reading it.
Self-publish and still have to pay your agent a percentage? It can happen. And you thought your agent’s job was to look out for you. http://accrispin.blogspot.com/2014/07/self-publishing-and-author-agent.html
If you cannot afford a lawyer, and how many of us can, at least ask questions before you sign that contract!
My novel in progress, American Gold, is based on the lives of my Czech immigrant grandparents and takes place in the 1911-1913 timeframe. As part of my research, I recently read To End All Wars: A Story of Loyalty and Rebellion, 1914-1918 because it includes the period leading up to that war. (Plus, you never know, I might write a sequel.) I ended up reading the whole book.
I don’t normally read history, but I enjoyed this WWI book because it wasn’t page after page of dates and dry history. Like other good nonfiction, it told about the war through the experience and motivation of people involved- the soldiers, the generals, the politicians, the protestors, the victims. It’s written from a British perspective and wraps up the war quickly after Americans get involved. Because 2014 is the 100th anniversary of the start of WWI, you’ve probably seen a lot of WWI books and articles about it. This book was released in 2012, not a come-lately entry. I highly recommend it. You’ll learn things you never learned in school.
Let’s face it, writers are always looking for story ideas. For me, fiction stories start with a character, but I sometimes struggle developing good stories around those characters. The character sheets we’re told to fill out strike me as sterile and stifle creativity more than aid it. Sure, it’s important to remember what eye or hair color different characters have, but that’s not what bring them to life.
Thanks to Hope Clark and Dicy McCullough, here’s a method I recently found that helps enliven my character and story ideas. And it’s so much more fun than a plain old character sheet! Maybe it will work for you, too.
Cats are curious creatures, Siamese cats perhaps the most curious of all felines. I didn’t know a Siamese was not the best choice for a novice cat owner, but I soon learned.
I’m happy to announce that my “Love Me, I’m Siamese” story was selected for Chicken Soup for the Soul: The Cat Did What?, released Aug. 19, 2014.
I’ve posted before about the hot YA market, but the latest newsletter from Kristin at the Nelson Literary Agency really drives the point home home. Agent Sara Megibow at that agency is targeting diversity: authors with a diverse background and/or books starring characters of a diverse background. http://nelsonagency.com/newsletters/june-2014/#kristinmessage
Why not combine the two?